Spanish Love Songs are an LA
based band described as punk with pop punk and emo vibes about them. They
recently released their 3rd album Brave Faces Everyone. They are a band that
wear their trauma on their sleeves and vent their various frustrations via
their Menzingers-ish, gruff-yet-melodic punk rock and have done so since 2015’s
debut LP, Giant Sings The Blues. Things are no better on this record. As this
album’s title suggests everything is fucked. These are tales of broken hearts
and broken homes, drug abuse and booze, friends dying and loved ones lying, not
to mention the drudgery of day-to-day life in a world that will be this bleak
forever and there’s nothing anybody can do about it.
Losers, Pt. 2 tells it like it is and rips your heart out accordingly. From the
opening vignette of staring at the house you grew up in that you can no longer
afford to own post-financial crisis, to the classic Spanish Love Songs bridge
in which Dylan solemnly sings, ‘You know, if we weren’t bailed out every time
by our parents, we’d be dead,’ the track is a throttling series of truths that
cut deep into the millennial psyche. In that respect, the song does what punk rock
was always meant to - strike a deep chord with a searingly unpleasant truth.
“This is another case of taking what we do well and trying to focus it
outwards,” says Dylan. “I’ve had plenty of people ask why the songs continue to
get bleaker and bleaker, but I feel like the answer is pretty obvious. This is
the world we know. It’s the world I see my friends stuck in, and that I’ve seen
my family stuck in. Everyone works themselves to the bones to just survive. Not
to say that we’re not incredibly privileged — I’m aware — but I wanted to look
outward and just acknowledge that for the roughly 99 per cent of us, life is an
endless grind, so it’s okay to feel down on it. Like, of course you’re anxious
when you could fall and hit your head and have you entire life derailed by
hospital bills.
“So Losers is the anthem where we try to be defiant and throw up a middle
finger — whatever, ‘we’re losers forever.’ But Losers 2 is the hangover. It’s
us wrapping our heads around that grind, and feeling like we can’t escape it.
And like so much of the album, it’s about trying to empathise with others over
this collective gloom.”
A vision of walking around and imagining my Walkman headphones were actually giant speakers accompanying me forcing the world into dancing and performing their tasks to my music. If I had giant speakers up in the sky blasting my own music then everywhere I went people would have to listen to my music and the world would have a uniform emotion, a sort of interconnectedness. Like an unrelenting soundtrack to which everyone must acquiesce… These are my speakers in the sky.
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